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| | HR0847 | | LRB104 21557 ECR 36965 r |
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| 1 | | HOUSE RESOLUTION |
| 2 | | WHEREAS, The City of Chicago is globally revered as the |
| 3 | | "Blues Capital of the World", a title earned through a century |
| 4 | | of cultural innovation, resilience, and the electrification of |
| 5 | | the human spirit; and |
| 6 | | WHEREAS, The roots of this legacy lie in the Great |
| 7 | | Migration, during which approximately six million African |
| 8 | | Americans moved from the rural South to the North between 1916 |
| 9 | | and 1970, bringing the Delta blues to the Near West and South |
| 10 | | Sides of Chicago; and |
| 11 | | WHEREAS, The Chicago blues sound, heard over the |
| 12 | | industrial din of a bustling metropolis, began to emerge from |
| 13 | | the historic Maxwell Street Market and local rent parties, |
| 14 | | characterized by the electric guitar and amplified harmonica, |
| 15 | | which eventually gave birth to rock and roll, soul, and R&B |
| 16 | | music; and |
| 17 | | WHEREAS, This musical revolution was anchored by legendary |
| 18 | | figures, such as Muddy Waters, Howlin' Wolf, Willie Dixon, |
| 19 | | Little Walter, Sonny Boy Williamson, and Memphis Minnie, and |
| 20 | | it was facilitated by pioneering labels, including Chess |
| 21 | | Records at 2120 South Michigan Avenue; and |
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| | HR0847 | - 2 - | LRB104 21557 ECR 36965 r |
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| 1 | | WHEREAS, Eight-time Grammy Award winner and living legend |
| 2 | | Buddy Guy recently testified before the Chicago City Council, |
| 3 | | noting that while cities such as Nashville, Memphis, and New |
| 4 | | Orleans have erected monuments to their musical icons, Chicago |
| 5 | | has yet to build a statue or monument worthy of the artists who |
| 6 | | made the City a global cultural destination; and |
| 7 | | WHEREAS, Many blues advocates, including Executive |
| 8 | | Director Diamond M. Dixon of Chicago Blues Revival, have been |
| 9 | | emphasizing that statues will not matter without a serious |
| 10 | | investment in the infrastructure and communities that birthed |
| 11 | | the blues genre, calling for a blending of culture and |
| 12 | | commerce that allows local neighborhoods to buy in to the |
| 13 | | legacy of blues in Chicago; and |
| 14 | | WHEREAS, The blues remains a living, breathing art form in |
| 15 | | venues such as Rosa's Lounge, Kingston Mines, and Buddy Guy's |
| 16 | | Legends, where veteran performers, including Bob Stroger and |
| 17 | | Willie Buck, share the stage with a new generation of |
| 18 | | self-starters and innovators, such as Joey J. Saye and Melody |
| 19 | | Angel; and |
| 20 | | WHEREAS, Programs such as Blues in the Schools, led by |
| 21 | | Blues Hall of Fame member Billy Branch, and Fernando Jones' |
| 22 | | Blues Camps at Columbia College are essential in teaching the |
| 23 | | basics of the blues genre to over 100 children annually, |
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| 1 | | ensuring that music remains a tool for positive expression and |
| 2 | | social solidarity; therefore, be it |
| 3 | | RESOLVED, BY THE HOUSE OF REPRESENTATIVES OF THE ONE |
| 4 | | HUNDRED FOURTH GENERAL ASSEMBLY OF THE STATE OF ILLINOIS, that |
| 5 | | we recognize Chicago's unparalleled history as the "Blues |
| 6 | | Capital of the World", and we celebrate the artists, past and |
| 7 | | present, who have shaped the soundtrack of our State; and be it |
| 8 | | further |
| 9 | | RESOLVED, That we support the calls for the City of |
| 10 | | Chicago to develop permanent, physical monuments and public |
| 11 | | art installations beyond existing murals to provide the |
| 12 | | reverence and international visibility that Chicago Blues |
| 13 | | pioneers deserve; and be it further |
| 14 | | RESOLVED, That we urge for greater community advocacy and |
| 15 | | a revival of investment in blues culture and for the State and |
| 16 | | local governments to provide substantial support for the |
| 17 | | infrastructure that solidifies the legacy of the legendary |
| 18 | | blues artists, including the preservation of historic sites |
| 19 | | such as Muddy Waters' Kenwood home and support for local Blues |
| 20 | | education non-profits; and be it further |
| 21 | | RESOLVED, That suitable copies of this resolution be |
| 22 | | presented to Buddy Guy, the Chicago Blues Revival, and the |